Instant: The Story of Polaroid (September 2012) author Chris Bonanos takes Polaroids and signs galleys in the PA PRESS booth at Book Expo America. 

(top) MOS, 2009 construction of aluminum and steel structure and Aluminet at MoMA PS1 

(bottom) completed structure

From Post-Ductility: Metals in Architecture and Engineering

From Woodcut by Bryan Nash Gil

Hemlock 82, 2008 

39 1/2 x 38 1/4 inches

(above) This trunk was found at a pig farm in Barkhamsted, Connecticut. I was immediately drawn to the strong pattern of the wavy rings (the result of irregularities in the growth of the hole). In the print, a cut branch creates a prominent form that extends from the center to the right edge, and various insect holes dot the lower perimeter of the block.

(below) Block and print of Hemlock 82

(above) Diagram showing percentage of resources consumed by buildings alone (adapted from USGBC).
From Sustainable Design: A Critical Guide, available now
Thursday, June 7th at 7:00 PM
Panel Discussion at Van Alen Books, 30 West 22nd Street in NYC
Metropolis Magazine Editor-in-Chief Susan S. Szenasy will moderate a panel discussion with architect and Sustainable Design author David Bergman, Terreform ONE Co-Founder and Planetary ONE partner Mitchell Joachim, and NYC Department of Design and Construction Director of Creative Services Victoria Milne.

(above) Diagram showing percentage of resources consumed by buildings alone (adapted from USGBC).

From Sustainable Design: A Critical Guide, available now

Thursday, June 7th at 7:00 PM

Panel Discussion at Van Alen Books, 30 West 22nd Street in NYC

Metropolis Magazine Editor-in-Chief Susan S. Szenasy will moderate a panel discussion with architect and Sustainable Design author David Bergman, Terreform ONE Co-Founder and Planetary ONE partner Mitchell Joachim, and NYC Department of Design and Construction Director of Creative Services Victoria Milne.

The Standard Hotel, 848 Washington Street
Meatpacking District, Manhattan
From Up on the Roof: New York’s Hidden Skyline Spaces

The Standard Hotel, 848 Washington Street

Meatpacking District, Manhattan

From Up on the Roof: New York’s Hidden Skyline Spaces

PLATE XLIII.
ASTRAGALINUS TRISTIS—American Goldfinch (a.k.a. Lettuce Bird, Thistle Bird, Yellowbird)
From America’s Other Audubon

PLATE XLIII.

ASTRAGALINUS TRISTIS—American Goldfinch (a.k.a. Lettuce Bird, Thistle Bird, Yellowbird)

From America’s Other Audubon

Installation of The Shalimar Theatre at the John Michael Kohler Arts Center in Sheboygan, WI.. The documentary The Projectionist is the featured attraction. Our book of the same name is available now.

Photo by The Projectionist author Kendall Messick

Installation of The Shalimar Theatre at the John Michael Kohler Arts Center in Sheboygan, WI.. The documentary The Projectionist is the featured attraction. Our book of the same name is available now.


Photo by The Projectionist author Kendall Messick

Pulled: A Catalog of Screen Printing exhibition

May 11 — June 24

Public Works Gallery
1539 N Damen Ave, 
Chicago, IL 60622

Book available here!

Or flip through a few pages first!

Visual Complexity author Manuel Lima gets animated explaining the power of networks.

Ace Jet 170: 
"On the surface, the new Learning To See series of mini-books from PA Press might appear a little low-key. Gift Book-like. But they’re more and better than that. They’re a quick read and really engaging; especially if you haven’t drawn for a while but would like to. It’s “How To Draw” for grown ups with loads of exercises and ways to approach making marks that I’d not given any thought to since life drawing classes at college, plus loads of techniques I’ve never tried before.” 

Ace Jet 170: 

"On the surface, the new Learning To See series of mini-books from PA Press might appear a little low-key. Gift Book-like. But they’re more and better than that. They’re a quick read and really engaging; especially if you haven’t drawn for a while but would like to. It’s “How To Draw” for grown ups with loads of exercises and ways to approach making marks that I’d not given any thought to since life drawing classes at college, plus loads of techniques I’ve never tried before.”